SupaStore Yes! at Hammersmith Grove, December 2025-April 2026
Photo credit for above, Thierry Bal
Featuring a range of new bread decorations, baked with spoil from Brixton Windmill, mixed with beetroot powder.
Francesca Anfossi, Whiskey Chow, Zuza Golinska, Caitlin Hazell, Tom Hardwick-Allen, Steph Huang, James Jessiman, Alison Jones, Flore Mycek, Simon Popper, Jeanine Richards, Ioana Sisea, Yinka Shonibare CBE RA, Sarah Staton, Eoban Tomlin, Demelza Watts, Hamilton Verhoeven.
Co-curated with HS Projects, SupaStore Yes! is the newest iteration of the ongoing SupaStore series testing boundaries between art, design, and retail for 3 decades. SupaStore has worked with a wonderful selection of known and unknown artists to transform private and public galleries, museums, and public spaces across the world into playful arenas of creativity and exchange.
As everything merges into shopping, art negotiates its fate of proximity to the commodity, to conditions of objecthood and reproducibility; SupaStore reveals them to be irrepressible for both. Using languages of commerce with wit and irony, Staton celebrates artists’ ability to reinvent the ordinary. SupaStore invites audiences to rethink value, ownership, and display—where art pops up, multiplies, and delights in its many guises.
The Sphinx and Labubu meet at Hell’s Mouth, 2025, Baked salted dough, powdered beetroot, shingle, 9x12x25cm
Photo credit for above, Thierry Bal
Featuring a range of new bread decorations, baked with spoil from Brixton Windmill, mixed with beetroot powder.
Francesca Anfossi, Whiskey Chow, Zuza Golinska, Caitlin Hazell, Tom Hardwick-Allen, Steph Huang, James Jessiman, Alison Jones, Flore Mycek, Simon Popper, Jeanine Richards, Ioana Sisea, Yinka Shonibare CBE RA, Sarah Staton, Eoban Tomlin, Demelza Watts, Hamilton Verhoeven.
Co-curated with HS Projects, SupaStore Yes! is the newest iteration of the ongoing SupaStore series testing boundaries between art, design, and retail for 3 decades. SupaStore has worked with a wonderful selection of known and unknown artists to transform private and public galleries, museums, and public spaces across the world into playful arenas of creativity and exchange.
As everything merges into shopping, art negotiates its fate of proximity to the commodity, to conditions of objecthood and reproducibility; SupaStore reveals them to be irrepressible for both. Using languages of commerce with wit and irony, Staton celebrates artists’ ability to reinvent the ordinary. SupaStore invites audiences to rethink value, ownership, and display—where art pops up, multiplies, and delights in its many guises.
The Sphinx and Labubu meet at Hell’s Mouth, 2025, Baked salted dough, powdered beetroot, shingle, 9x12x25cm